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Jill Amber Menard

Jill Amber Menard grew up in a log cabin in the middle of Wisconsin. She has dreamed of being an author since she was 5-years-old. She loves creating characters and escaping into whimsical worlds. As a kid, Jill would often wander off by herself into the woods, acting out her stories to an audience of skittish squirrels. She went on to pursue a career in dance, starting her own non-profit professional dance company in New Zealand. Jill now teaches aerial dance for a living and performs in circus events in which she enthusiastically twirls around in the air, wearing neon colors and polka dot shorts. Jill has written three novels and is working diligently on making her inner 5-year-old’s dream come true. The Odd Duck is inspired by Jill’s own trials and tribulations as an awkward kid who didn’t fit in with her peers. http://jillambermenard.com

Story: The Odd Duck

Interview

Each week authors will be given a new question to answer which will lend additional insight into their story and writing process. Do you have a question you'd like to see the authors answer? Tweet it to @aNextAuthor!

Q:
What is the best writing advice you've ever heard?
A:
“If you get stuck, try something different,” my dad told me. Because of this I have experimented with lots of creative writing projects, including self-publishing my own raw dessert cookbook!
Q:
When you start a new story do you prepare an outline in advance or do you just jump right in?
A:
I have tried outlines and tried even harder to stick to them. But in the end my characters ALWAYS rebel. It's like they have a plan that is different than the one I have. I've learned to just flow with it.
Q:
How do you deal with writing criticism, apart from just ignoring it?
A:
It's hard to not get defensive or hurt by criticism. Over the years I've learned to remain quiet and to really listen to what the person has to say about my work.
Q:
America's Next Author has been running for almost 8 weeks. If you could re-submit now, would you change anything about your story?
A:
I loosely based the bad boy character on a boy I knew from my childhood. He really was from Brazil and I really was in love with him! If I could go back, I would probably just make him an ordinary boy from Wisconsin to avoid the racist comments.

Reviews

Joyce Allen

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Through experience, reflection, and an evolving series of formulas for life, Ella the ugly duckling brings us with her on a road toward acceptance and self-acceptance that needs to be traveled in every life. In Ella the Odd Duck, Jill Menard gives us a tale that has the qualities of a fable, and carries a message I’d like every girl to learn.

aesylvatica

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I really enjoyed the story. Thanks for writing it!

J Ryan

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Hi Jill, this is a really great story. I really like the way that it is set into words, and I hope you get to number 1. Goodwork, and best of luck with it! J Ryan

KitP

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Reminded me of the awkward moments of my youth. Thought using the equations was clever. Good job!

Mark V

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Feeling the plot unfold, awesome imagery!

A reminder of the trials and tribulaions of childhood

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A very well written short story! I was quickly brought back to my own cchildhood. I think the author did a wonderful job of capturing the pains and joy of growing up.

Stubby

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Well done!

Virgil

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A sweet achy tweeny love story. Could be a novel. Maybe this contest will launch the 2.0 version. Gave me an LCD Soundsystem "Sounds of Silver" moment.

hfilene

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This book was really good

Amy M

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I really enjoyed this story. I think a lot of women will relate to it as we all feel like the "odd duck" at times. I thought the formulas were a unique and interesting touch. Well done!

Amy G.

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I really enjoyed this story. I'll admit that I would like to see it expanded beyond a short story and into a full novel. I really liked the characters. The characters felt authentic if not quirky. There were a few comments above that mentioned the social aspects of Ella's trying to become what society wants her to become. And I will say that as a children's librarian who reads lots and lots and lots of kids and teen fiction I think there's something really important about not beating kids over the head with a message and not pushing your own agenda. As much as I might agree that I don't want 12 year old girls to feel that way... they do, and I think that recognizing that has it's place in kids/teen fiction. I think there's a big difference between telling kids that they should grow up and aspire to be "normal" versus acknowledging their experience. I enjoyed the story and it lacked the precociousness that a lot of similar style tween stories tend to have - which to me is a good thing because to me the precociousness just means that the adult author doesn't really know how to write in the voice of a tween. It's a really great start and I would like to see more.

Ralph Mahoney

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Awesome read! Perfect for the young readers!

Great read for the preteens!

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Most of us can relate to this story on some level. For me, I was brought back to my childhood. Bullying is a timeless issue and I think Jill's story is very inspirational for any child going through a similar situation.

K

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This story conjures the awkardness of youth in bittersweet, humorous and unique prose. Ella's attempts to problem-solve her way through the mysteries of social status and love are both heart-breaking and inspiring. Ms. Menard treats her readers to a glimpse of the world through the eyes of a girl on the brink of breaking over the threshhold from innonence to uncertainty. Great story. P.S., I think the reviewers who found racial bias in the story missed the boat. The "bad boy" could have been from Japan or Russia or the moon.

onestepaway

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Reminiscent of Judy Bloome, Ms. Menard's short story highlights perfectly the awkwardness of the socially unpopular. While not exposing the shortfalls of popularity (perhaps a later installment?), she delves into the psyche of the underdog, and reveals the thoughts of a highly intelligent and perpective young girl. An honest and tender look at personal growth, and the realization that life if far more complicated than any simple equation. The pacing and language makes this ideally suited for the 10-14 year old range.

Hi Jill - please, please read!

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Congratulations - you've clearly ploughed a lot of work into this piece. But if I'm going to be completely honest (and writing is all about honesty), it reads more like a good sketch for a YA novel at present, or an ambitious first draft. Just some thoughts: Short stories are just that: short. There's not a lot of room to work with, so it's usually more effective to pick a specific time and place and recount it in crisp, vivid detail - occasionally hinting at events outside the immediate frame, but always with a clear focus. I feel like the broad sweep you had here (many, many scenes spanning years) meant you had to gloss over the actual interaction between your characters — the stuff that we're really there for. This is kind of my one key criticism that underpins a few other issues, so if you take anything away I hope it's this. Once you've settled on a specific time and place, you now have an opportunity to *show* us what Ella is dealing with, not just tell us. It's great that Ella has a really clear superobjective throughout this story and clearly a lot of people have related to it - the need for acceptance and approval from her peers, which can also be viewed negatively as a fear of being left behind in childhood. And it's a neat and very tender insight into her character that she tries to navigate social relationships as a matter of scientific inquiry - maybe because it's too hurtful to deal with feelings directly. But *she* needs to reveal those things about herself in response to events, and that's why a consistent sequence of events is crucial. The party is a really good hook, I think - it's something you can establish in the beginning with an invitation (an opportunity to *show* her at her worst and the complex relationship between her and Rachel), the countdown until the party (to deal with her self-doubt, to discover and develop her theorem with perhaps a few disastrous misadventures), and the evening of the party itself as a climax (where she has her moment of truth and maybe even reconsiders whether her experimental data is really valid - if she's pretending to fit in, perhaps everyone else is too - a scene where the group discovers Rachel's Barbies could be really powerful for instance. Would they tear her to shreds and leave Ella with a crisis of conscience, or would they admit to still feeling like a child at times?) So yes. Take some of your favourite set-pieces you've got here and start weaving them into the space of, say, two weeks. Maybe we open with Ella trying to do her math homework on the way to school (foreshadowing her Odd Duck theorem) only to be handed an invite from Rachel, who then snubs her and goes back to sit with the other girls. Maybe we throw in a scene where she gets home and sees Jack - a chance to explain not just that he *is* home schooled, but how that makes her feel. Maybe she finds it hard to talk about school stuff with Jack because he doesn't live in that world. Who knows, maybe it's him that somehow sparks her imagination with this formula? I'd be a little wary of the Kyle subplot as you've spun it here: the way she approaches her feelings for him is a beautiful bit of comedy and very true to the character, but you've introduced him *very* late in the piece and the incest twist really, really skews the tone you've established so far without any confrontation or resolution. Can I suggest you set up Kyle the bad boy much earlier (while taking care not to reinforce racist stereotypes), and maybe take the two of them on a couple of dates or something? Perhaps Ella has a breakthrough and realises CB (Coolness of Boyfriend) has a direct proportionate relationship to the subject's popularity? I also wonder whether Kyle's cool attitude is a self-conscious attempt to fit in like Ella's — what are they like alone? There's comedic potential there if Kyle tries to let down his guard with her but taints the results of her Cool Boyfriend experiment. Anyway I'm sure you get the idea: this is a great start with so much potential. But winnow it down to a specific time and place, reveal as much of the relationships and exposition as possible through Ella's direct experience and think about how the other characters see Ella as much as how she sees them. And then I'd like to think you've got the makings of America's next author! P.S. - The line about a teacher describing her hair as "dishwater blonde" — I did a little fistpump! It says so much in a few words about not just her appearance, but her relationship to the teacher, her social status that a goddamned teacher would say that in front of a class and the implied hurt she still feels about it. Beautiful!

A Man called Horse

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This was a very poignant read. The author does an excellent job of conveying the cruelties of childhood while weaving an excellent story. I would recommend this book to anyone that has ever been a kid.

Tracy

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The sign of a good book to me is, do I care about and/or connect with the characters. Ella is a fantastic character whom I will think of often going forward. This story does an amazing job at capturing the awkwardness and longing to fit in that everyone goes through. Is there a formula for life she can give us?

Gregger

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When you read everything you can get your hands on its difficult NOT to be critical of writers. My litmus test is simple. Would I enjoy spending time with the author. I dream of sailing with Steinbeck, long to camera safari with Hemingway, work the deck on a riverboat with Samuel Clemmons at the wheel and venture into the wild with Jack London. This author would be a great friend to sit by a fire and sip hot cocoa with. I get the feeling that there more to come from this author. More playful, adventurous and enchanting stories. When I read her last formula, I felt '54' sprinkling down my spine.

Carly B.

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I loved this story! It takes you away from your own worries, and into poor Ella's life. I think it's a really inspiring read, because you see how she grows to accept that she should just be herself.

Jeff F

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I really enjoyed this story, I think everyone can see a bit of themselves in Ella, some of us (like myself) probably see a lot! I would love to see a compilation of stories about such authentic characters as are in this one, maybe a whole book of nothing but short stories about people like Ella who are tying to fit into this world and their adventures along the way, I know I would buy it!

LoriW.

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Sweet, touching, honest and funny. A lovely story worth the time to read.

Robin Dog trainer to the Stars

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Like a mini vacation that all good books should be. The book takes you away from your own worries and challenges. I think all girls can relate to this story a bit. I particularly loved the formulas and how they changed throughout the story. Loved the surprise ending.

susancaroline

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awesome

So Authentic it Hurts

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This takes you back to a time that marks the end of childhood and done with the unfiltered essence of youth, still unfettered by political filters and agendas that taint almost all adult life. I was reminded how raw the world felt without such bias. This is part of its charm and what makes it so powerful.
AUTHOR RANK
Week 5 Nominee
DECEMBER 18th 2012
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DECEMBER 7th 2012
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America's Next Author is the first social writing contest. Friends, family, fans and publishing industry experts will read authors' submissions and nominate their favorite to be America's next major author. Everyone can participate!