For a century, "progressive" writers and filmmakers-multiculturalists like Ward Churchill and Alex Haley, sexual revolutionaries like Kinsey and Margaret Mead, quasi-Marxists like Noam Chomsky and Michael Moore, and radical naturalists like Paul Ehrlich and Rachel Carson-have been using falsehood and fraud as their principal weapons in their assault ontraditional American culture. For years, an unconnected squad of literary detectives, anthropologists, scientists, and historians, has been picking off the frauds and their enablers one by one. Taken together, the work of these critics is devastating. Jack Cashill's Hoodwinked synthesizes their dogged research and reveals the depth and breadth of the corruption at the very foundation of contemporary intellectual culture.
