eBooks - Arts - Media & Entertainment - Christine Geraghty - British Cinema in the Fifties


British Cinema in the Fifties eBooks

by Christine Geraghty


British Cinema in the Fifties - Adobe Reader PDF eBook

British Cinema in the Fifties ~~ Adobe Reader PDF eBook

Adobe Reader PDF eBook

Platforms
Windows 98SE+, Mac OS X+, Palm

Features
Advanced navigation, search, bookmarks, and multiple viewing options.

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Price: $41.93


British Cinema in the Fifties - Microsoft Reader eBook

British Cinema in the Fifties ~~ Microsoft Reader eBook

Microsoft Reader eBook

Platforms
Windows 98+, Tablet PC, Pocket PC 2003

Features
ClearType, advanced navigation, search, personal library, bookmarks, notes, and drawing.

Availability:
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Price: $41.93


British Cinema in the Fifties - Microsoft Reader eBook

British Cinema in the Fifties ~~ Microsoft Reader eBook

Microsoft Reader eBook

Platforms
Windows 98+, Tablet PC, Pocket PC 2003

Features
ClearType, advanced navigation, search, personal library, bookmarks, notes, and drawing.

Availability:
Download Now

Price: $46.90


British Cinema in the Fifties - Mobipocket eBook

British Cinema in the Fifties ~~ Mobipocket eBook

Mobipocket eBook

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Windows PC, Palm, Pocket PC, eBookMan, SmartPhones, and more.

Features
Easy to install, Very Compatible, Touch-screen page turning, Bookmarks, Adjustable font size and color, Search.

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Price: $26.65


British Cinema in the Fifties Summary

In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children.
Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.

In British Cinema in the Fifties, Geraghty examines some of the most popular films of this period, exploring the ways in which they reworked contemporary social issues and themes such as national identity.



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