eBooks - Social Issues - Societies & Cultures - Susan Hayward - French National Cinema


French National Cinema eBooks

by Susan Hayward


French National Cinema - Microsoft Reader eBook

French National Cinema ~~ Microsoft Reader eBook

Microsoft Reader eBook

Platforms
Windows 98+, Tablet PC, Pocket PC 2003

Features
ClearType, advanced navigation, search, personal library, bookmarks, notes, and drawing.

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Price: $41.53


French National Cinema - Mobipocket eBook

French National Cinema ~~ Mobipocket eBook

Mobipocket eBook

Platforms
Windows PC, Palm, Pocket PC, eBookMan, SmartPhones, and more.

Features
Easy to install, Very Compatible, Touch-screen page turning, Bookmarks, Adjustable font size and color, Search.

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Price: $25.32


French National Cinema Summary

French National Cinema examines France's national cinema through its primary artefact, the feature film, discussing both popular cinema and the `avant-garde' cinema that contests it, and the ways in which each cross-fertilises the other.
Susan Hayward argues that writing on French national cinema has tended to focus either on `great' film-makers (following the auteurist approach) or on specific movements, addressing moments of exception rather than the global picture. Her work offers a thorough much-needed historical textualisation of those moments and relocates them in their wider political and cultural context.
Filling in the gaps between the auteurs and the movements she begins with an `ecohistory' of the French film industry, charting its beginnings in the 1890s and the rise to power of the three major studios Pathe, Gaumont and Eclair. She traces key movements in French cinema and the directors associated with them, including the avant-garde - Germaine Dulac, Marie and Jean Epstein; Poetic Realist - Jean Renoir and Marcel Carne, New Wave - Jean-Luc Godard and Francois Truffaut, and todays postmodern cinema of Jean-Jacques Beinex, Luc Besson and Colinne Serreau.

An examination of France's national cinema through its primary artefact, the feature film, discussing both popular cinema and the `avant-garde' cinema that contests it, and the ways in which each cross-fertilises the other.



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